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| cover |
| Venets, Volume 6, Number 1, 2015 |
| Pages |
1-8 |
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| Research Section |
| Why Sociology Is Silent Concerning Borders |
| Pages |
9-32 |
| S.E. Nikolov |
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| The Wars as Chronological Limits in the Modern History of Bulgaria |
| Pages |
33-48 |
| P.S. Petkov |
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| Imperial Limes - Projections in Medieval Imperial Idea |
| Pages |
49-62 |
| Z.Z. Zhekov |
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| The Borders of "Shopluk" and/or Shops without Borders |
| Pages |
63-84 |
| P. Hristov |
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| The Torlaks Regional Identity(-ies) as a Motive for Cross-border Collaboration in Serbian-Bulgarian Border Zones |
| Pages |
85-110 |
| D. Krstic |
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| Research Section (2) |
| Folk Narratives and the Reflection of (UTU) Humanness in Shaaban Robert Adili na Nduzuze |
| Pages |
111-121 |
| J.P. Madoshi |
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| New Information about the Stay of Colonel Kavarnaliev in Belogradchik |
| Pages |
122-127 |
| B.V. Toshev |
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| Appendix |
| Belogradchik in Art: Ivan Hristov |
| Pages |
128-128 |
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| Venets, Volume 6, Number 2, 2015 |
| Pages |
129-136 |
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| Welcome to the Largest International Fair of the Balkans: The Borderli-ness of Kara Boaz Fair |
| Pages |
137-158 |
| S. Antova |
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| Cross-Border Landscape: Construction of Natural Heritage and Local Development at Bulgarian-Serbian Borderlands |
| Pages |
159-184 |
| I. Markov |
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| Borders of Identity: A Case Study - Village Slaveyno, Smolyan Municipality |
| Pages |
185-212 |
| V. Kotseva |
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| Different Neighbors - Different Borders |
| Pages |
213-228 |
| I. Eftimova |
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| Boundaries of a Roma Group: A Case Study |
| Pages |
229-258 |
| M. Karamihova |
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| An Inquiry into Institutional Support for the Benin Video-Film Culture in Nollywood |
| Pages |
259-279 |
| O.S. Omoera |
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| Belogradchik in Art (Dobri Dobrev) |
| Pages |
280-280 |
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| Venets, Volume 6, Number 3, 2015 |
| Pages |
281-288 |
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| The Notions of "A Border", "A Foreign Country (Abroad)" and "A Foreigner": In the Relations between the USSR (Russia) and Bulgaria |
| Pages |
289-308 |
| I. Sedakova |
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| The Electronic Agora of the British Society in Bulgaria |
| Pages |
309-321 |
| D. Rangelova |
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